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MUSIC, something to reach the Soul!, part 1 Prayer is just meaningless words if not felt in the heart; just as music is no more than sound if it does not reach the Soul. Prayer to God is a realization that the Soul of man is ONE with the Universal Soul. It is not an appeal by man to God. It is a communion between the divine man to the divine God of man. -- PJ 34 -- pag. 66 ------------------------- Again we repeat that the spiritual REALITY is within the physical expression which simulates reality. We will say it in other words of different connotation to aid you in fully grasping the idea -- PJ 35 -- page 29 we are trying to give you. By thus saying that THE CREATOR CENTERS HIS CREATION in reference to the center of gravity in the sun, you will be better enabled to understand the thought which I am endeavoring to give you if you will realize that that SOMETHING which you hear in music which Julius Caesar could NOT have heard, and that Toscanini COULD hear more ecstatically than you can, is the same thing, and that means GOD. The measure in which you can hear the SOUL of music is the measure of your God-awareness. It is the measure of your ability to know the UNCREATED. You increase that measure when you can hear what Toscanini could hear. That means that your spiritual nature has unfolded to that measure, and you can increase that measure vastly if you apply that desire to all things equally with music. The sun is not in the least aware of its centering white Light which is its Creator and which is also maximum in gravity pressure because the sun is a physical expression of the IDEA of Creation and can never have mental awareness. It is not intended that it shall have. Man is the ONLY UNIT OF CREATION WITHIN WHICH PHYSICAL AWARENESS IS FOLLOWED BY GOD-AWARENESS. Physical awareness comes first, however. This is the thought we have been leading up to and upon which we will very purposefully and necessarily dwell at some length, the better to aid you in recognizing the measure of your own God- awareness as it is expressed in the sex-mating idea. Always bear in mind that the physical expression of every idea in Creation comes first in body unfolding. Spiritual awareness slowly unfolds. We return to the example given through music which expresses one idea of Creation. The greatest music known to man is but another kind of sound to early man. The very first dawn of any measure of spiritual meaning in jungle man is evidenced in his drum beat. He recognized the rhythm of his walking, his running, and the beating of his heart, even though he had not yet recognized tonal variance or melody. The drum beat rhythm demands rhythmic expression of his body, and the wild dance follows. Melody and tonal variance unfold slowly as the spiritual nature of man very slowly unfolds in the great masses, and more swiftly in the few. Some centuries before the Christian era, the ancient Greeks and Egyptians stretched some gut strings which they strummed all together, not separately, for tone and melody had not yet unfolded in them. Their first singing was mere chanting which gradually grew into tonal melody several centuries later in the Gregorian chantings. The Greek lyre gradually grew into your harp and piano, while the Egyptian lyre grew into the ancient cithara, which became the forerunner of your mandolins, banjos and similar stringed instruments of today. In ancient China, its musical expression took the form of blowing with the breath to vibrate reeds, or through tubes which gave wind and flute tones rather than string tones. The Chinese finally evolved the cheng by joining a series of tubular reeds together, and the cheng is now your pipe organ, flute, mouth organ and accordion, and other "wind" instruments. And now, of course, these tones are perfectly duplicated by synthesizers. So slowly has the mental and spiritual awareness of God's Presence in music unfolded that the diatonic scale did not come into the awareness of man until a hundred years after Leonardo Da Vinci's day. The spiritual rebirth in Italy during the fourteenth and fifteenth century brought forth this great unfolding. Instruments for expressing it developed with it, and genius in illumined man gave you Bach and the glorified Gregorian chant which have awakened the Light in tens of thousands and brought all men closer to the door of heaven for the spirit energy rides the waves of the etheric tones. -- PJ 35 -- pag. 30 If you will, now try to realize that nothing whatsoever but motion has been created, of which sound is but one of its many effects. Everything beyond that is IDEA, and IDEA is never created. Idea is spiritual. Idea cannot be sensed by you. It can only be KNOWN. You cannot begin to KNOW until you transcend your senses, for your senses cannot know anything. They can but sense the effects of motion. Civilization, however, is still made up of the very many who are yet close to their pagan primacy and the very few who are rapidly becoming transcendent beings through their increasing ability to commune with that Silent Voice of God which centers every unit of His Creation. These very many of the great masses of mankind, even though they have advanced to tonal awareness in sound, have not unfolded beyond the physical expression of rhythm. We must dwell upon this idea at some length, also, for this example given you in music will be paralleled in the example of balanced sex-mating. In fact, that is our reason for reciting the slow stages of unfolding musical awareness. It is fortunate for civilization that the few are multiplying into the hundreds of thousands instead of thousands--and now millions, as evidenced by the greatest increase in the sale of classical music ever known. But to return to the musical taste of the great masses, if you listen to television and radio very much you have observed that the popular "shows" have very much of the jungle rhythm and NOISE of syncopated beat, accompanied by much body writhing. Even the musicians are much given to beating with their feet, which is merely a grown-up version of the drum beat of early man. It is so unfortunate that you have caused the "great" to fall into the methods of gyrations, etc., to have any audience at all. The television producers will cater to the many--not the few. This is even in the face of that fact which is now recognized--that the media is controlled to control that which you think and feel. Many of the great musicians have become players in night-club shows because there ceased to be acceptance of true talent. Some have left the area of music altogether in order to exist in the physical. You have not yet learned that subsidies for geniuses, even to hundreds of millions a year, would be the best investment a government could make, for world culture comes only through world- geniuses, and geniuses are indeed rare. There is great significance to this fact which has back of it one of the many reasons your civilization is still too barbarian and retarded in its spiritual development. As the reason is the same in sex-unbalanced and every other effect with constitutes your civilization as it is in musical unbalance, the explanation of one will help to comprehend the others. -- PJ 35 -- pag. 31 ------------------------- THE BEATLES For you who adore “The Beatles” I would like herein to point out that in your musical sectors they were the onset of your unrest and lost directions. The music began to have a deafening noise level, mesmerizing cadence and rhythm and involvement with magic as well as the addition of mind altering substances becoming an enhancement to the overall.  The “heavy metal” groups have only become extreme in the direction of total evil and now be aware how easily the transition from one to the other could occur--how subtle the entrapment. -- PJ 09 -- pag. 83 ------------------------- H: Let me interrupt. I don't want to pass this opportunity for the young people in the group. One of the first clues that you should have had as your world moved into greater degradation and got on that final path, was when one little musical group, called the Beatles, came forth and captured the -- PJ 19 -- page 118 world. That was the birth of Satanic Rock, mesmerization and entrancement of your children and it's been down hill all the way. What you are not exposed to is the true evil that is experienced in that place called Great Britain. You see only the surface. The seeds of corruption were sown there generations and generations ago. You had absolute monarchal rule and now it has been supplanted with parliamentary rule, if you will. Margaret Thatcher has a great deal of power. That is very much like the United States. Once it is decided who will rule, they also become puppets, but very, very dangerous ones. England produced your witches, your witchcraft and your Satanic structure. England has given you much including your heritage and your instructions. And all the while it has been done extremely cleverly through the banks, the bankers, the cartel. Great Britain produces the Queen who is the richest woman on the face of your planet, living in a country which is bankrupt, or so it is told, holding such wealth that they have to get it into Switzerland to protect it from the masses that they continue to tax and tax and tax. If you look closely you can see it without the magnifying glass. It lays there before you, like an open book. You have the richest woman in the world, the richest person in the world in the form of Elizabeth, Queen of England. Great Britain owns more of the United States of America property and businesses than any other nation of investors in the world, followed only second by Canada, which is British; Australia third, which is British; and then the Netherlands, Holland, if you will, which is very closely related to Britain; and way fifth, where you thought it would be first, is Japan. And now they have figured a way, finally, to collapse Japan and bring them into order, into control with the oil. They could not do it with the money. -- PJ 19 -- page. 119 ----------------------------- (12) To introduce new cults and continue to boost those already functioning which include rock "music" gangsters. [H: For instance you will find the group, Rolling Stones, favoured by European Black Nobility--and, too, remember they were favorites of the Reagans. The "rock" groups which began with "The Beatles" were created by Tavistock.] -- PJ 43 -- pag. 18 ------------------------- THE BEATLES An outstanding example of social conditioning to accept change, even when it is recognized as unwelcome change by the large population group in the sights of Stanford Research Institute, was the “advent” of the BEATLES. The Beatles were brought to the United States as part of a social experiment which would subject large population groups to brainwashing of which they were not even aware. When Tavistock brought the Beatles to the United States nobody could have imagined the cultural disaster that was to follow in their wake. The Beatles were an integral part of The Aquarian Conspiracy, a living organism which sprang from the Changing Images of Man, URH (489)-2150-Policy Research Report No. 4/4/74. Policy Report prepared by SRI Center for the Study of Social Policy, Director, Professor Willis Harman. The phenomenon of the Beatles was not a spontaneous rebellion by youth against the old social system. Instead it was a carefully crafted plot to introduce by a conspiratorial body which could not be identified, a highly destructive and divisive element into a large population group targeted for change against its will. New words and new phrases--prepared by Tavistock--were introduced to America along with the Beatles. Words such as “rock” in relation to music sounds, “teenager”, “cool”, “discovered” and “pop music” were a lexicon of disguised code words signifying the acceptance of drugs and arrived with and accompanied the Beatles  wherever they went, to be “discovered” by “teenagers”. Incidentally, the word “teenagers” was never used until just before the Beatles arrived on the scene, courtesy of the Tavistock Institute for Human Relations. As in the case of gang wars, nothing could or would have been accomplished without the cooperation of the media, especially the electronic media and, in particular, the scurrilous Ed Sullivan who had been coached by the conspirators as to the role he was to play. Nobody would have paid much attention to the motley crew from Liverpool and the 12-atonal system of “music” that was to follow had it not been for an overabundance of press exposure. The 12-atonal system consisted of heavy, repetitive sounds, taken from the music of the cult of Dionysus and the Baal priesthood of Adorno and given a “modern” flavor by this special friend of the Queen of England and hence the Committee of 300. Tavistock and its Stanford Research Center created trigger words which then came into general usage around “rock music” and its fans. Trigger words created a distinct new break-away largely young population group which was persuaded by social engineering and conditioning to believe that the Beatles really were their favorite group. All trigger words devised in the context of “rock music” were designed for mass control of the new targeted group, the youth of America. The Beatles did a perfect job, or perhaps it would be more correct to say that Tavistock and Stanford did a perfect job, the Beatles  merely reacting like trained robots “with a little help from their friends”--code words for using drugs and making it “cool”. The Beatles became a highly visible “new type”--more Tavistock jargon--and as such it was not long before the group made new styles (fads in clothing, hairstyles and language usage) which upset the older generation, as was intended. This was part of the “fragmentation-maladaptation” process worked out by Willis Harman and his team of social scientists and genetic engineering tinkerers and put into action. The role of the print and electronic media in our society is crucial to the success of brainwashing large population groups. Gang wars ended in Los Angeles in 1966 as the media withdrew its coverage. The same thing will happen with the current wave of gang wars in Los Angeles. Street gangs will wither on the vine once media saturation coverage is toned down and then completely withdrawn. As in 1966, the issue would become “burned out”. Street gangs will have served their purpose of creating turbulence and insecurity. Exactly the same pattern will be followed in the case of “rock” music. Deprived of media attention, it will eventually take its place in history. -- PJ 81 -- page. 117 ----------------------------- BEATLEMANIA AND BEATNIK BEAT GENERATION Following the Beatles, who incidentally were put together by the Tavistock Institute, came other “Made in England” rock groups, who, like the Beatles, had Theo Adorno write their cult lyrics and compose all the “music”. I [Coleman] hate to use these beautiful words in the context of “Beatlemania”; it reminds me of how wrongly the word “lover” is used when referring to the filthy interaction between two homosexuals writhing in pigswill. To call “rock” music, is an insult, likewise the language used in “rock lyrics”. Tavistock and Stanford Research then embarked on the second phase of the work commissioned by the Committee of 300. This new phase turned up the heat for social change in America. As quickly as the Beatles had appeared on the American scene, so too did the “beat generation”. Other Tavistock-coined words came seemingly out of nowhere: “beatniks”, “hippies”, “flower children” became part of the vocabulary of America. It became popular to “drop out” and wear dirty jeans, go about with long unwashed hair. The “beat generation” cut itself off from mainstream America. They became just as infamous as the cleaner Beatles before them. LSD AND “GINSBERG” The newly-created group and its “lifestyle” swept millions of young Americans into the cult. American youth underwent a radical revolution without ever being aware of it, while the older generation stood by helplessly, unable to identify the source of the crisis, and thus reacting in a maladaptive manner against its manifestations, which were drugs of all types, marijuana, and later Lysergic acid, “LSD”, so conveniently provided for them by the Swiss pharmaceutical company, SANDOZ, following the discovery by one of its chemists, Albert Hoffman, how to make synthetic ergotamine, a powerful mind-altering drug. The Committee of 300 financed the project through one of their banks, S.C. Warburg, and the drug was carried to America by the philosopher, Aldous Huxley. [H: Indeed you WILL recognize the names to the extent that by the time we are through you will think there aren’t more than 300 named people in the world and certainly no more than some 100 corporations--ALL ATTACHED TO THOSE SAME NAMES.] -- PJ 81 -- page. 119 The new “wonder drug” was promptly distributed in “sample” size packages, handed out free of charge on college campuses across the United States and at “rock” concerts, which became the leading vehicle for proliferating the use of drugs. The question that cries out for an answer is, what was the Drug Enforcement Agency (DEA) doing at the time? There is compelling circumstantial evidence that would appear to indicate that the DEA knew what was going on but was ordered not to take any action. With very substantial numbers of new British “rock” bands arriving in the U.S., rock concerts began to become a fixture on the social calendar of American youth. In tandem with these “concerts”, the use of drugs among the youth rose in proportion. The devilish bedlam of discordant heavy beat sounds numbed the minds of listeners so that they were easily persuaded to try the new drug on the basis that “everybody is doing it”. Peer pressure is a very strong weapon. The “new culture” received maximum coverage from the jackal media, which cost the conspirators not one single thin dime. Great anger was felt by a number of civic leaders and churchmen over the new cult but their energies were misdirected against the RESULT of what was going on and not against the CAUSE. Critics of the rock cult made the same mistakes that had been made in the prohibition era, they criticized law enforcement agencies, teachers, parents--anybody but the conspirators. Because of the anger and resentment I feel toward the great drug plague, I make no apology for using language which is not customary for me to use. One of the worst drug slobs ever to walk the streets of America was Alan Ginsberg. This Ginsberg pushed the use of LSD through advertising which cost him nothing, although under normal circumstances it would have cost millions of dollars in TV advertising revenues. This free advertising for drugs, and LSD in particular, reached a new high in the late 1960s, thanks to the ever-willing cooperation of the media. The effect of Ginsberg’s mass advertising campaign was devastating; the American public was subjected to one cultural future shock after another in rapid succession. We became over-exposed and over stimulated and, again, may I remind you that this is Tavistock jargon, lifted from the Tavistock training manual, overwhelmed by its new development and, when we reached that point, our minds began to lapse into apathy; it was just too much to cope with, that is to say, “long range penetration had taken hold of us.” Ginsberg claimed to be a poet but no greater rubbish was ever written by anyone who ever aspired to becoming a poet. Ginsberg’s designated task had little to do with poetry; his main function was to push the new subculture and force acceptance of it upon the large targeted population group. [H: Once again: The Khazarian Zionists New World Order!] To assist him in his task, Ginsberg coopted the services of Norman Mailer, a writer of sorts who had spent some time in a mental institution. Mailer was a favorite of the leftwing Hollywood crowd and so had no problem with getting maximum television time for Ginsberg. Naturally Mailer had to have a pretext--not even he could blatantly come out with the true nature of Ginsberg’s television appearances. So a charade was adopted: Mailer would talk “seriously” on camera with Ginsberg about poetry and literature. This method of getting wide television coverage at no cost to themselves was followed by every rock group and concert promoter who followed the example set by Ginsberg. The electronic media moguls had big hearts when it came to giving free time to these dirty verminous creatures and their -- PJ 81 -- page. 120 even dirtier products and filthy ideas. Their promotion of horrible garbage spoke volumes and, without abundant help from the print and electronic media, the drug trade could not have spread as rapidly as it did in the late 1960s-early 1970s, and probably would have been confined to a few small local areas. Ginsberg was able to give several nationally televised performances extolling the virtues of LSD and marijuana, under the guise of “new ideas” and “new cultures” developing in the art and music world. Not to be outdone by the electronic media, Ginsberg’s admirers wrote glowing articles about “this colorful man” in the art and social columns of all of America’s largest newspapers and magazines. There had never been such an across-the-media-board free advertising campaign in the history of newspaper, radio and television and it cost the promoters of the Aquarian conspiracy, NATO and the Club of Rome not one red cent. It was all absolutely free advertising for LSD, only thinly disguised as “art” and “culture”. One of Ginsberg’s closest friends, Kenny Love, published a five-page report in the New York Times. This is in accordance with the methodology used by Tavistock and Stanford Research: If something is to be promoted which the public has not yet been fully brainwashed to accept, then have someone write an article, covering all sides of the subject matter. The other method is to have live television talk shows in which a panel of experts promotes the product and/or idea under the pretext of “discussing” it. There are point and counter-point, both pro and con participants airing their support or opposition. When it is all over, the subject to be promoted has been dinned into the public mind. While this was new in the early 1970s, today it is standard practice on which talk shows thrive. Love’s five-page pro LSD pro Ginsberg article was duly printed by the New York Times. Had Ginsberg tried to buy the same amount of space in an advertisement, it would have cost him at least $50,000. But Ginsberg didn’t have to worry; thanks to his friend Kenny Love, Ginsberg got the massive advertising all for free. With newspapers like the New York Times and the Washington Post under the control of the Committee of 300, this kind of free advertising is given to any subject matter, and more especially to those promoting decadent life styles--drugs--hedonism--anything that will confuse the American people. After the trial run with Ginsberg and LSD, it became standard Club of Rome practice to call upon major newspapers in America to give free advertising on demand to people and ideas they were promoting. Worse yet--or better yet, depending upon the viewpoint--United Press (UP) picked up Kenny Love’s free advertising for Ginsberg and LSD and telexed it to hundreds of newspapers and magazines around the country under the guise of a “news” story. Even such highly respectable establishment magazines ‘as Harpers Bazaar and TIME made Mr. Ginsberg respectable. If a nation-wide campaign of this magnitude were presented to Ginsberg and the promoters of LSD by an advertising agency, the price tag would have run into at least $1 million in terms of 1970 dollars. Today the price tag would be nothing less than $15-$16 million dollars. It is no wonder that I refer to the news media as “jackals”. -- PJ 81 -- page. 121 NEXT PAGE